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“You should be here; he’s simply magnificent.” These are the final words a biologist hears before his Margaret Mead-like wife dies at the hands of Godzilla. The words haunt him as he studies the Kaiju (Japan’s giant monsters) on an island reserve, attempting to understand the beauty his wife saw.
The Return to Monsterland opens Where We Go When All We Were Is Gone, a collection of twelve fabulist and genre-bending stories inspired by Japanese folklore, historical events, and pop culture. In Rokurokubi, a man who has the demonic ability to stretch his neck to incredible lengths tries to save a marriage built on secrets. The recently dead find their footing in The Inn of the Dead’s Orientation for Being a Japanese Ghost. In Girl Zero, a couple navigates the complexities of reviving their deceased daughter via the help of a shapeshifter. And, in the title story, a woman instigates a months long dancing frenzy in a Tokyo where people don’t die but are simply reborn without their memories.
Every story in the collection turns to the fantastic, the mysticism of the past, and the absurdities of the future to illuminate the spaces we occupy when we, as individuals and as a society, are at our most vulnerable.
Sequoia Nagamatsu is the author of the story collection, Where We Go When All We Were Is Gone (Black Lawrence Press). His work has appeared or is forthcoming in publications such as Conjunctions, ZYZZYVA, The Fairy Tale Review, Tin House, Black Warrior Review, Redivider, The Bellevue Literary Review, Lightspeed Magazine, and One World: A Global Anthology of Short Stories, among others. Originally from Hawaii and the San Francisco Bay Area, he was educated at Grinnell College and Southern Illinois University. He is the managing editor of Psychopomp Magazine, an online quarterly dedicated to innovative prose, and an assistant professor of creative writing at St. Olaf College in Minnesota. He is currently working on a second story collection and a novel.